Showing posts with label Vince Guaraldi. Show all posts
Showing posts with label Vince Guaraldi. Show all posts

Friday, December 20, 2013

Yuletide By the Fireside, and Joyful Memories There

It's an established tradition at In Aurem A2D to use holidays as opportunities for Surface to Air Full Circle music challenges. Our last was on Valentine's Day.

You know the drill. (Connection between our game and the WDET-FM Music Head fundraiser is in our first challenge.) Starting with a particular song, chart a path along associated metadata to create a connected playlist; but at some point, reverse course and return along a different metadata path to arrive full circle back at the starting song, in "about an hour" of running time. Bonus points if you only use songs from your personal library (as I always do).

That bonus may get harder to achieve over time, if the trend continues away from music ownership and personal libraries to music access and personal playlists via streaming services.

To celebrate Christmas in the USA, our starting/ending song is Vince Guaraldi's "Christmas Time Is Here" from the soundtrack to A Charlie Brown Christmas. After ephemeralizing my own LP copy of Charlie Brown to weightless high-res digital, I donated it to the Library of Congress in 2012.

Full-size table here. Annotated table with metadata associations here.

For the first time, a list clocks in at 60 minutes on the nose. As a bonus, we included two consecutive Everly Brothers covers that both had other relevant metadata connections and were recorded by male/female duos. Previous lists can be found in the Surface to Air 2012 Retrospective.

Merry Christmas!

            Vinyl-to-Digital Restoration #63            

Artist: Linda Ronstadt
Title: Get Closer
Genre: Rock
Year: 1982





In an earlier piece on sustainable business models, we profiled a vinyl-to-digital restoration of an example of Linda Ronstadt's mid-career collaboration with Nelson Riddle. Get Closer is a title from her earlier "rocker chick" period, the music that got her elected to the Rock -n- Roll Hall of Fame Class of 2014. Well-deserved.

© 2013 Thomas G. Dennehy. All rights reserved.

Friday, August 17, 2012

Of All the Charlie Browns in the World, Mine is the Charlie Browniest

The United States Library of Congress voted to designate the Vince Guaraldi soundtrack to A Charlie Brown Christmas a national audio treasure, including it among the twenty-five 2011 inductees to the National Recording Registry — America's sound heritage.

Trouble is, the Library did not have a copy of Charlie Brown among its holdings. So I gave them mine. Here's the story.

Since 2001, the Library of Congress has annually selected 25 sound recordings to be preserved in the Registry of "culturally, historically, or aesthetically significant" recodings. To give you an idea of the diversity among inductees, this year's group also included Prince's Purple Rain and a wax cylinder from an Edison Talking Doll. The press release made me curious: what exactly does the Library archive for any of the recordings and artifacts in the Registry?

In response to email, Library spokesman Cary O'Dell gave this explanation. "For each item selected for the Registry, we attempt to locate and acquire both the earliest and the best format. For example, if a work was originally issued on 78rpm, that is what we will attempt to acquire. Often as well we try to obtain a copy on CD (if one is available) for the ease of researchers." (Apparently we can count the US Government among those who believe the audio CD is a format of convenience, not significance.)

He continued. "Keep in mind that the Library of Congress already holds thousands of records and discs so many of the items named to the Registry we already have a copy of. When Purple Rain started to be discussed, I explored our holdings and found we did already have a vinyl LP. Though we have a digital copy of the Edison cylinder, the original remains in the historic archives of the Edison Labs in Menlo Park [NJ]."

Which brought us to the topic of Charlie Brown. "Another new title this year was A Charlie Brown Christmas. The [National Recording Preservation] Board has discussed it for several years with some members truly singing its praises and importance. This was the year it got enough votes. Surprisingly, we didn't have any holdings of that!" Mr O'Dell concluded, "The Concord Group has since been kind enough to donate a CD of the work to the Library and I am working to obtain an original vinyl."

This was an opportunity too good to pass up. My own vinyl copy of A Charlie Brown Christmas is in storage, having long ago been ephemeralized to 24-bit/96KHz weightless digital format for playback. So I offered to donate it to the Library for induction into the Registry. Mr. O'Dell immediately accepted; the government even paid shipping costs and sent a gracious acknowledgement letter (at right).

The work is currently undergoing a lengthy process of cataloging, curating and digital preservation before it can be counted among the Library's holdings. I'll let you know when the catalog number has been assigned so you can search for it. [Update 14-December: here's the link.]

I am proud that my humble LP is now the definitive audio copy of a beloved classic in the Library of Congress, preserved for posterity. Or, to paraphrase Linus: of all the Charlie Browns in the world, mine is the Charlie Browniest.


                Vinyl-to-Digital Restoration #2 (originally described 1-January-2012)              

Title: A Charlie Brown Christmas
Artist: Vince Guaraldi Trio
Genre: Jazz/Christmas
Year: 1965



There are two CD copies of A Charlie Brown Christmas somewhere in my house. But when it came time to install this title in my weightless digital Library, I decided to dub the old LP copy rather than ripping a CD. Like the homely Christmas tree selected by Charlie Brown, all the LP needed was a little love (and a few mastering steps in software) to make it shine. For more on Vince Guaraldi's music, please visit the Impressions of Vince website.

© 2012 Thomas G. Dennehy. All rights reserved.

Sunday, January 1, 2012

LPs and CDs are Just Install Discs for Music

Rather than being crushed as a relic of the past, vinyl can be an active participant in the digital music future. Let me explain.

Before I embraced my inner Detroit-ness and got into the automotive business, I worked for a CAD software company.

When I started, our products were mostly delivered as "shrink-wrapped software"—a sealed box containing a CD and a manual. You used the CD to install the software, then put it in back in the box and stored the package in a closet never to be seen again (barring the need to re-install after disaster).

In later years it became more common for customers to download an installer and purchase an authorization key to enable use. Today many software products have now been replaced with cloud-based software services, requiring no local installation.

The parallel to music is obvious. The industry has evolved from physical media to digital downloads to cloud-based streaming.

Now that dematerialized play is the norm in my house, my preferred delivery mechanism for music is a download in lossless format. If a lossless download is not available, I reluctantly purchase a CD. The CD is used exactly once, to "rip" its content to the Library, then stored away in a cabinet never to be seen again.

Basically, the audio CD has been reduced to an install disc for music.

If you enjoy the sonic characteristics of vinyl but want the cool features of dematerialized play, the LP can just as straightforwardly be a music install disc for a given title, using a high-quality digital transfer process. For me, that covers all music purchased before 1985 or so. But an LP can be used to install new releases from artists like The Black Keys, She & Him, Leonard Cohen, Wilco, and the late Amy Winehouse — all available on vinyl.

While ripping a CD is a mindless install operation — a background task — the LP install process requires your full attention: recording at high resolution, carefully repairing old wear-and-tear, meticulously isolating and labeling tracks for export, and studiously suppying metadata. An LP is "decidedly invonvenient, which is the very reason it appeals." (Eric Felton)

Another example of how CDs and LPs are fraternal, but not identical twins.

               Vinyl-to-Digital Restoration #2              

Title: A Charlie Brown Christmas
Artist: Vince Guaraldi Trio
Genre: Jazz/Christmas
Year: 1965



There are two CD copies of A Charlie Brown Christmas somewhere in my house. But when it came time to install this title in my dematerialized Library, I decided to dub the old LP copy rather than ripping a CD. Like the homely Christmas tree selected by Charlie Brown, all the LP needed was a little love to make it shine.


© 2012 Thomas G. Dennehy. All rights reserved.